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Beyond the visuals

Posted by CreateSpaceBlogger May 16, 2016

I am the son of an ophthalmologist, and my father was the son of an optometrist, and there are a few more eyesight specialists who appear in my lineage. You might say I am hyperaware of visual acuity and the mechanics behind it. I am also aware that vision is a bit of a cheat when it comes to creative writing. Those of us who are fortunate enough to have sight rely heavily on visual elements when it comes to character description, setting, and even action passages.


Here is my creative challenge to you today: write a descriptive piece that leaves the visuals out. Rely on your other senses to convey your message. I read a new book by a fairly well-known author recently, and I rolled my eyes on a number of occasions. Everyone was beautiful and athletic. The women had pinup girl looks and the men had chiseled features. To be honest, I felt cheated because I wanted to know more about the characters than their looks. I wanted to know what they smelled like, the timbre of their voices, the way they breathed. Telling me that they were all athletic and beautiful was a shortcut that prevented me from connecting with the characters. This author did the same with the scenery. It was how everything looked and nothing else. Sounds, smells, temperature--they all provide deeper anchors of connection with the reader.


Think beyond the visuals. Give your book depth by using the other senses. We live in a multi-sensory world, so don't limit your story to just one. Incorporate them all.


-Richard


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Richard Ridley is an award-winning author and paid CreateSpace contributor.


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Defining Characters through Action, Not Description

The Stranger in the Room

573 Views 0 Comments Permalink Tags: self_publishing, authors, writing, character_development, senses
1

I'm going to sound like a hypocrite today. On this blog, I've frequently shared the advice to stay true to the art of writing. I've often said that you shouldn't consider the reader while you write. Your only consideration should be for the story and the characters in your story. Your first draft should be a no-holds-barred work of storytelling wizardry.


But when I talk about rewrites, my advice switches gears somewhat. This is where I don't mind if you give some consideration to the reader. I'm not suggesting you ditch your artistic integrity, but I am suggesting that you're now in a better position to blend the interests of your readers with the interests of your characters. You've gone on a journey that is tens of thousands of words long, and you now have a better understanding of how far you can bend the story without breaking it.


The concept to remember as you rewrite is tweaking it to make it more marketable. I know that may sound antithetical to honoring the craft and art of writing, but the two ideas don't have to be mutually exclusive. You can find a happy medium that embraces both the risk of art and the relative safety of commercial appeal. In fact, finding such a medium may be your greatest artistic achievement.


The first draft is where you let the imagination fly, sometimes wildly, in order to get words on the page and make a connection with your characters. The rewrites are for you to use that connection to artfully give your story marketability. You always want to choose the artistic path when possible, but taking brief excursions onto commercial paths is not a bad thing.


-Richard

 

 

 

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Richard Ridley is an award-winning author and paid CreateSpace contributor.

 

 

 

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Use Two Brains for Writing and Rewriting

The Perils of Rewriting

 

556 Views 1 Comments Permalink Tags: self_publishing, authors, writing, manuscript_rewrites, book_marketability
3

As I've mentioned before, I read a lot about book marketing and publishing. The other day I came across an article about an indie author who had recently published a novel about baseball. I love sports and thought his book sounded interesting, so I looked it up on Amazon. There were just two reviews, one of which was five stars and had the title: Great book. Among other glowing things, the review said the book was "a nice easy read for kids of all ages" and "well worth the time and money."


Then I noticed that the name of the reviewer looked strangely familiar. I scrolled to the top of the page and realized it was the same as the author! I couldn't believe someone would have the gall to give his own book a five-star review, but there it was, staring me in the face.


Needless to say, I didn't buy the book. How could I support such unethical behavior?


I've said more than once in this space that I believe asking friends and family to positively review your book is a bad idea. It puts them in an awkward position (what if they didn't like your book?), and it's just not credible. Reviewing your book yourself is even worse. Of course you think it's worthy of five stars; you wrote it! But that's beside the point. For reviews to mean anything, they need to be written by objective readers. That's the point of reviews.


The only time I think it's OK for a friend to write a review is if that person proactively tells you that he/she enjoyed your book. In that case, feel free to say, "Thank you! Would you mind putting that into a review?" Otherwise, don't do it. All you're going to do is shoot your credibility--and your sales--in the foot.


 

-Maria


 

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Maria Murnane is a paid CreateSpace contributor and the best-selling author of the Waverly Bryson series, Cassidy Lane, Katwalk, and Wait for the Rain. She also provides consulting services on book publishing and marketing. Have questions for Maria? You can find her at www.mariamurnane.com.


 

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Get Reviews for Your Indie Book

Dos and Don'ts of Soliciting Book Reviews

 

1,079 Views 3 Comments Permalink Tags: self_publishing, marketing, author, sales, writing, promotions, book_reviews
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Your main characters don't appear on the pages of your novel alone. They are surrounded by and, in most cases, vastly outnumbered by your supporting characters. As the name indicates, they offer your story and your protagonists and/or antagonists support. Their development is as critical as your main characters'. Here are the four primary roles of supporting characters in most works of fiction:


  1. Establishing setting: Setting isn't just landscape and architecture. Supporting characters are just as crucial to setting. Accents, dialects, attitudes, cultural norms, etc., are just a few details that supporting characters can lend to a story's setting.
  2. Acting as comedic vehicle or voice of reason: Supporting characters can give a story balance. If you're writing an intense thriller or mystery, a supporting character can provide a handful of laughs to allow the reader to breathe. If you're penning a novel where your main character is on a journey of self-discovery, supporting characters can show him or her the way.
  3. Adding a curve or two to your twist: Sometimes authors use supporting characters as a diversion. What is a seemingly innocuous supporting character may actually either be the springboard to your main plot twist or he or she may be the actual twist.
  4. Contributing a piece of the puzzle: Why is your main character a steely eyed tough guy or a sharp-witted policewoman with finely honed investigative skills? Such people aren't born, they are made, and they are made by the people in their lives--supporting characters.


As you develop your supporting characters, concentrate on what purpose they serve. If they don't meet the criteria of any of the above roles, there's a better-than-good chance they are weighing your story down and can be trimmed during rewrites.


-Richard


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Richard Ridley is an award-winning author and paid CreateSpace contributor.


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Too Many Characters in the Kitchen

Who Are You Trying to Please?

563 Views 0 Comments Permalink Tags: self_publishing, books, authors, writing, supporting_characters
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You've written an engrossing mystery novel. Now what? It's time to dive into the marketing end of the publishing process and to do so with as much gusto as you showed writing the book. You are going to want to incorporate a mixture of conventional marketing strategies and…nontraditional strategies.


     Since you can use your favorite search engine to find a plethora of conventional book marketing strategies, let us focus on the nontraditional route in this blog post. Did I mention that nontraditional means fun?

 

  1. Murder mystery themed gala: Yeah, I know. Gala sounds expensive. Don't worry. All it really means is a party or celebration, but if you use the word "gala" in your marketing material, you add a little bit of panache to your event. This is a simple idea that requires a lot of planning. You're going to use friends and family to stage a murder mystery game in the middle of your gala, using characters and themes from you book. You won't follow the conclusion of your book or reveal little twists, of course. You don't want to give away any spoilers, but you do want to give attendees a taste of your story. They'll still have a blast. If you have the budget to hire a troupe of actors, all the better.
  2. Ten-minute plays: Speaking of actors, approach a local theater about renting their space for an evening of 10-minute plays based on material from your book. You'll want to focus on those passages and chapters in your book that emphasize character development. I'll be taking this route myself for an upcoming release, and I won't be writing the 10-minute plays. I'm handing material to a group of playwrights whom I know and trust and letting them have fun with it.
  3. At the movies: Thrillers and mystery films are never in short supply at your local movie theaters. Before the movie starts and before they show trailers of upcoming films, they usually show ads for local businesses. You are a local business. Your ad doesn't have to be fancy. It just has to be effective.


The mystery genre has a number of marketing opportunities that other genres don't have. Go the traditional book marketing route, yes, but don't be afraid to use your imagination and explore crazy ideas. Those crazy ideas have the biggest potential to become shared events on social media. The most important thing to remember is to have fun.


-Richard

 

 

 

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Richard Ridley is an award-winning author and paid CreateSpace contributor.

 

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Should you spend money on traditional advertising?

 

Take your book to the theatre

 

 

 

 

1,048 Views 0 Comments Permalink Tags: self_publishing, marketing, self-publishing, promotion, writing, novels, mystery, promotions, writing_advice
2

 

I keep reading (and hearing) authors use the pronoun "that" when they should be using the pronoun "who," so I thought I'd do a refresher post on the difference between the two.

 

WHO refers to people:

 

  • I am the one who is writing this blog post.
  • You are the one who is reading the blog post.

 

 

THAT refers to things:

 

  • The blog post that grabbed my attention the most was the one about pronouns.
  • The topics that seem to be the most popular with my readers are grammar, writing, and book marketing.

 

1) From an interview about a debut novel:


WHAT HE SAID: "I have two boys that judged me at every turn."


WHAT HE SHOULD HAVE SAID: "I have two boys who judged me at every turn."


(Reason: Boys are people, not things.)


2) From an author bio:


WHAT IT SAYS: Lisa's daughters were the ones that encouraged her to write, saying she should turn the bedtime stories she made up for them into a book.


WHAT IT SHOULD SAY: Lisa's daughters were the ones who encouraged her to write, saying she should turn the bedtime stories she made up for them into a book.


(Reason: Daughters are people, not things.)


3) From a book description:


WHAT IT SAYS: The story takes place in a dystopian society where teenagers are the ones that rule the land.


WHAT IT SHOULD SAY: The story takes place in a dystopian society where teenagers are the ones who rule the land.


(Reason: Teenagers are people, not things.)


Got it? People: WHO, things: THAT. Now get writing!


 

-Maria


 

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Maria Murnane is a paid CreateSpace contributor and the best-selling author of the Waverly Bryson series, Cassidy Lane, Katwalk, and Wait for the Rain. She also provides consulting services on book publishing and marketing. Have questions for Maria? You can find her at www.mariamurnane.com.


 

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There vs. they're vs. their

The dreaded "who vs. whom"

 

1,010 Views 2 Comments Permalink Tags: self_publishing, books, author, writing, grammar_tip, that_vs_who
1

I saw an interview with Will Smith years ago where he talked about his movie selection process. Apparently, he and his representatives sat down one day and listed the biggest blockbusters in all of cinema at the time, and they concocted a formula based on the similarities all these movies shared. If a script matched the criteria outlined by this formula, Will Smith would agree to do the movie. This was before he had reached mega-star status. The formula apparently worked because he's done a number of huge blockbuster movies that have made him one of the best paid and most respected actors in the film industry.

 

So, the question is, can a writer develop this same kind of formula to write a bestseller? The answer is probably yes. In fact, without even doing a search engine dive, I can guess there have been a good deal of books written on the topic. I don't know how effective such a tactic would be, however.

 

Why? In my mind, the most prevalent element of any book that becomes a bestseller is the passion that went into writing it. When an artist pours his or her heart into a project, they connect wholly with their characters, and it's that connection that captivates readers. I have no scientific proof of this, by the way. Call it a gut instinct based on observation of the industry for a number of years.

 

Trying to write a book that adheres to a formula is different from writing a book that obeys the unwritten rules of genre. Those are often innate characteristics that happen organically, usually because a writer is a fan before he or she is an author. The makeup of a genre is hidden in their storytelling psyche. A formula is an artificial construct that dictates everything from basic character descriptions to number of romantic, violent, humorous, etc., encounters. In other words, it removes the passion from the writing process. Such a result may match the criteria of the formula, but it lacks the je ne sais quoi that catapults books into bestseller status.

 

If want to increase your chances of writing a bestseller, write with passion and develop your craft. Forget about the formulas.

 

-Richard


 

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Richard Ridley is an award-winning author and paid CreateSpace contributor.


 

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The bestseller quandaryMega-authors

Mega-authors

 

1,048 Views 1 Comments Permalink Tags: self_publishing, authors, writing, bestsellers, writing_a_bestseller
1

You CAN write a book

Posted by CreateSpaceBlogger Apr 26, 2016

This morning I received an email that made me smile...or maybe even grin. It was from an aspiring author named Becca. In particular, I loved this part of her message:


"Reading through your blog has been very educational and exciting for me. I love all your knowledge, advice, and mostly your encouragement to not give up when it gets hard. I don't expect that starting into this will be easy; however, I think it will be so fun to try! My husband and my kids are all very much on board and supportive."


Go Becca! I love her positive attitude. And to all the Beccas out there reading this, you CAN write a book! No, it's not easy, but yes, it's fun to try. And at the end of the day that's all it really comes down to--trying. And trying. And trying! If you keep pushing yourself forward, day after day, week after week, eventually you'll have a book. It may not be very good, but that's okay. My first effort wasn't very good either. But once I had that first draft, I went back and rewrote it a few times, and that part was fun. In my experience, editing and tweaking is always more enjoyable than coming up with something from scratch.

 

Writing an entire book takes discipline--and patience. It's not going to happen overnight. Focusing on moving the story forward little by little will help keep you from feeling overwhelmed. And then one day, after many days of plodding along, your manuscript will be done. Done! If you're like me, when that happens you'll probably take a step back from your keyboard, exhale, and ask yourself, "Did I really just do that? How did I do that?"


Then, you'll do a little dance and go celebrate!

 

-Maria

 

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Maria Murnane is a paid CreateSpace contributor and the best-selling author of the Waverly Bryson series, Cassidy Lane, Katwalk, and Wait for the Rain. She also provides consulting services on book publishing and marketing. Have questions for Maria? You can find her at www.mariamurnane.com.

 

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Writing Tip: Stay Committed to the Process

 

Writing Tip: Keep the Story Moving Forward

 

 

 

 

1,173 Views 1 Comments Permalink Tags: book, author, self-publishing, blogging, writing, promotions, writing_process, author_tips
1

 

I've taken part in a lot of conversations. I've listened to a lot of conversations. I've even eavesdropped on more than a few. I've discovered one secret key element of conversations that makes them interesting, maddening, and authentic all at once, and I'm going to reveal that secret to you.

 

But first let me explain how I came to discover this secret: I discovered it by reading. That's right, I didn't notice it until I identified it in a book called The Dog of the South by Charles Portis. This component of conversation is so engrained in our culture that we don't even know it's there. It's a stealthy stitch that ties verbal communication together and builds relationships in awkward and fundamentally human ways.

 

Okay, here's the secret. Are you ready for this? People spend huge chunks of conversations not listening to one another. They are so consumed with interjecting and making their points about a topic that they zone out and make non sequiturs that jumble conversations up into nearly incoherent exchanges. In most conversations, the people involved have their own agendas, and they put a great deal of effort into fulfilling those agendas, even at the expense of listening. Here's the kicker. Somehow the communicators always seem to find their way back to salient points.

 

For most people, getting to the point of a conversation is a long, winding road. When you're writing dialogue for your characters, taking tidy steps where characters are responding to each other on point instead of servicing their own conversational agenda doesn't give you a realistic back and forth. Try playing around with the "not listening" technique and see if that adds a dose of authenticity to your dialogue.

 

-Richard


 

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Richard Ridley is an award-winning author and paid CreateSpace contributor.


 

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Improving Dialogue

 

Start a Dialogue with Your Characters

 

652 Views 1 Comments Permalink Tags: self_publishing, books, authors, writing, authentic_dialogue
1

Be original

Posted by CreateSpaceBlogger Apr 20, 2016

If you've followed along in previous posts, I'm sure you've made your Author's Declaration, you've established your platform priority, you've plotted out how to use your secondary planks to support your main plank, and you've become a strident believer in developing a schedule. The last bit of brand-building inventory we need to discuss is the type of content you'll be showcasing on your platform.


In this case, when I say "type," I'm referring to the origin of your content. From where will it come? If you take nothing else from these blog posts on brand building, remember this one thing: original content is king. Material that comes from you has the greatest potential to be tied to your brand. The goal is to produce something that is worthy of being shared. When it's shared on social media platforms, friends of friends and followers of followers and so forth and so on are linked back to your brand's platform. The more share-worthy material you produce, the greater the opportunity that your brand's outreach will grow.


With your commitment to scheduling, you've established half of the consistency quotient. The other half has to do with your brand’s focus. Yes, you’ll be discussing your books, but it can’t be just about your books. You have to include other passions in your brand identity too--and I do mean passions. If you're into gardening, produce original content about gardening. If politics is your thing, jump into political topics with both feet. Sports, relationships, television, theatre, or whatever captures your interest, make room for it on your platform, and do it consistently. Give your brand depth based on your passions. It's the most effective way to give your author brand staying power.


-Richard


 

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Richard Ridley is an award-winning author and paid CreateSpace contributor.


 

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Blogging - "Why would anyone care what I have to say?"

Setting Goals for Your Brand

 

448 Views 1 Comments Permalink Tags: self_publishing, marketing, writing, branding, brand_building, be_original
3

It took me nearly five years to get my first novel, Perfect on Paper, published, so when it finally happened I was over the moon. I'd worked my tail off to make it happen, and after all that effort, at long last I could exhale, sit back, and enjoy myself as the sales rolled in.


Or so I thought.


Needless to say, the sales didn't roll in, and I was more than a little disappointed.


I remember voicing my frustration to my editor on a phone call one day. "Why isn't my book doing better?" I asked him. While I can't remember his exact response, I'll never forget the essence of it. He calmly told me that I should write another novel, then another. He said that success wouldn't happen overnight, that it was important to build a body of work if I wanted to make a living as an author.


While they weren't what I wanted to hear at the time, I took his words to heart and soon began writing a second novel, then a third. Now I have seven, and I make a living as an author. My editor was right. It didn't happen overnight, and it happened only because I kept writing. I will always be grateful to him for his sage counsel.


Other great pieces of advice I've heard over the years include:


*If there's a story you want to tell, tell it

*To write a book, all you really need is an interesting character (or characters) who is (are) in an interesting situation--then go from there

*All major characters should want something


What is the best piece of writing advice you've ever received? Please share in the comments. I would love to hear from everyone who reads this post. Just think of how much we could all learn from one another!


-Maria


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Maria Murnane is a paid CreateSpace contributor and the best-selling author of the Waverly Bryson series, Cassidy Lane, Katwalk, and Wait for the Rain. She also provides consulting services on book publishing and marketing. Have questions for Maria? You can find her at www.mariamurnane.com.


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How to Get and Stay Motivated

 

Want to write a book? Get out of your own way

921 Views 3 Comments Permalink Tags: author, self-publishing, writing, promotions, book_sales, writing_advice
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Sometimes I get the feeling non-writers don't understand what writing actually is. They think it's 100% what I'm doing at this very moment: putting words to the page, digital or otherwise. Frankly, it is where I spend the least amount of time as a writer. The bulk of my writing time is spent formulating plots and developing characters as far away from my computer as I can get. It's playing and replaying a scene in my mind until the details fall into place, and I can essentially describe the scene in the form of a written passage before I've even put fingers to keyboard.

 

But in my estimation, even that time, the time spent running a story through the neuron marathon in your brain, isn't the most important part of what a writer does. For me, my best writing is done when I'm not devoting any time--be it physically writing or thinking--to a story. As much as I will deny it to my wife, I love doing the dishes. It is prime non-writing, non-thinking writing time. Trying to figure out how to load a dishwasher efficiently is a weird challenge to me that allows me to devote barely essential thoughts to a menial task and have it take up prime gray matter real estate. I'm not applying precious thought power to my latest story at all. I'm thinking of ways to insert bowls between the blunted rubberized spikes to allow for the most plates in my dishwasher. What's the best way to insert a coffee cup--handle toward the front or toward the back? This simple task is my most valuable writing time because it has zero to do with writing. By unhooking from a story, I'm allowing for the unexpected to find its way into the development of a story.

 

In essence, I'm never not writing. That is the blessing and curse of being a writer. We observe without observing. We record without recording. We unhook but remain unwittingly tethered to a project. Distractions are the unsung heroes of a writer's life.


 

-Richard


 

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Richard Ridley is an award-winning author and paid CreateSpace contributor.


 

You may also be interested in...The "What If" Notebook

The "What If" Notebook

 

The Power of the Mindless Task

 

621 Views 0 Comments Permalink Tags: self_publishing, books, authors, writing, writing_distractions
2

Sometimes when people I encounter find out I'm an author, they share with me their own ambitions of writing a book. While some of these individuals go on to reach their goals, in my experience that's usually not the case. I've lost track of how many times an aspiring author has told me that he or she once started writing a book, but then for various reasons it went nowhere. Some of the most common explanations I hear include:


*I got too busy with work/family

 

*I wasn't sure where the plot was going

 

*I was afraid it was awful

 

*It seemed like so much work

 

*I set it down and just didn't pick it up again

 

There's absolutely nothing wrong with any of the above, but here is the truth: Yes, they are reasons, but they are also excuses. It's completely fine if you don't finish your book or even if you never start your book. No one is telling you that you must write a book. It's your life, and you should live it as you choose. But if you truly want to write a book, you're the only one who can make yourself do it. That's really all it comes down to.

 

Much like losing weight or getting (and staying) in shape, writing a book takes discipline and commitment over a long period of time. There are always going to be reasons for why you can't eat right every day or work out every day. Always. But if you really want to lose weight by eating right regularly, you will. And if you really want to be in shape be exercising regularly, you will.

 

Writing a book is challenging and scary and not always fun. And once you're done, there's no guarantee that you'll sell a single copy. But who cares? For the vast majority of authors, writing a book isn't about the money. It's about writing a book. So if you really want to be an author, get out of your own way and make it happen. I promise you'll be glad you did.

 

-Maria

 

 

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Maria Murnane is a paid CreateSpace contributor and the best-selling author of the Waverly Bryson series, Cassidy Lane, Katwalk, and Wait for the Rain. She also provides consulting services on book publishing and marketing. Have questions for Maria? You can find her at www.mariamurnane.com.


 

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Writing Takes Discipline

 

Think You Can't Write a Book While Working a Full-time Job? Think Again.

 

7,627 Views 2 Comments Permalink Tags: self_publishing, books, author, writing, writing_a_book, excuses
0

Recently I read a story that was fairly engaging with well-developed characters. I found myself reading anxiously. You might even say it was engrossing. That is until I got to the end of the conflict. It ended abruptly, and it was resolved without warning. What's worse is that it was resolved using a solution that came out of nowhere. I read the story again to see if I had missed even the smallest hint that the resolution presented was a possibility. It wasn't. I felt cheated. There was no pathway for me to follow to the solution.


If the author had used just the tiniest bit of foreshadowing, I would have been a satisfied reader. I may have even enjoyed an "A-ha!" moment, a feeling that the outcome made perfect sense given the information I absorbed previously in the reading. Foreshadowing is an excellent plot device that helps the reader be part of the story. The trick is to not give overt indications of what's to come but to share subtle possibilities, clues that are disguised as background information.


Foreshadowing can be overdone and cross over into exposition. You run the risk of explaining plot points and spoon-feeding information to the reader, a development that will make readers feel just as cheated as springing a resolution on them out of the blue. Incorporating foreshadowing takes skill, and when it's done right, it can take a story to the next level.


Conflicts have to be resolved using logic, even in genres that are as far removed from reality as possible. Foreshadowing can give your resolution the logic it needs.


-Richard


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Richard Ridley is an award-winning author and paid CreateSpace contributor.


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Twist

Is Predictability in Storytelling Good or Bad?

948 Views 0 Comments Permalink Tags: self_publishing, author, writing, character_development, foreshadowing
2

 

Lately I've heard so many people confuse "went" with "gone" that I decided it was worth a blog post on the topic. "Went" and "gone" are both variations of the verb "to go" but are used in different tenses. Here's an explanation of the difference:


 

WENT is the simple past tense of TO GO:


 

Yesterday I went sailing for the first time

 

Yesterday you went sailing for the first time

 

Yesterday he/she went sailing for the first time

 

Yesterday we went sailing for the first time

 

Yesterday they went sailing for the first time


 

GONE is used in the present perfect and past perfect tenses of TO GO:


 

Present perfect:

 

In the past month I have gone sailing twice

 

In the past month you have gone sailing twice

 

In the past month he/she has gone sailing twice

 

In the past month we have gone sailing twice

 

In the past month they have gone sailing twice


 

Past perfect (also known as pluperfect):

 

Before today I had gone sailing only once

 

Before today you had gone sailing only once

 

Before today he/she had gone sailing only once

 

Before today we had gone sailing only once

 

Before today they had gone sailing only once


 

I hear the mistake most often when people say "have went" when they should say "have gone." For example:


 

I should have went sailing instead of coming here (INCORRECT)

 

I should have gone sailing instead of coming here (CORRECT)

 

We could have went sailing instead of coming here (INCORRECT)

 

We could have gone sailing instead of coming here (CORRECT)


 

A clever trick for remembering the difference is to say the following out loud: "Correct answer, where have you gone?" Your ear probably knows that question is phrased correctly, so modeling it will tell you the answer.


 

-Maria

 

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Maria Murnane is a paid CreateSpace contributor and the best-selling author of the Waverly Bryson series, Cassidy Lane, Katwalk, and Wait for the Rain. She also provides consulting services on book publishing and marketing. Have questions for Maria? You can find her at www.mariamurnane.com.


 

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